"Burano by the sea, fisherman mending their nets, life along and on the canal. A visit with times of old, fine embroidery, the cobbler, children quietly at play, the market, the village square and its grand architecture and bronze statuary. It is feeding time in the square for a zillion pigeons. Another gem of Esther's visits to Europe" PSA Journal, Nov. 1960, 41.
"Film a soggetto"/Fiction film
"Il esso è descritto, attraverso infiniti particolari, la storia di un fanciullo traviato, che dopo un avventuroso vagabondaggio, viene rinchiuso in un Riformatorio giudiziario per l’espiazione della pena che gli è stata inflitta in seguito ad un reato da lui commesso. Ne seguano le trasformazione spirituale finché lo vediamo restituito alla società riabilitato."
"It describes, through infinite details, the story of a misguided child, who after adventurous vagrancy, is locked up in a reformatory for the expiation of the sentence imposed on him as a result of a crime he committed. Spiritual transformation follow until we see him returned to society rehabilitated."
The film was directed by special courtesy of the Minister di Grazia e Giustizia, nel R. Riformatorio giudiziario di Nisida (Napoli)
—Notizario delle sezioni cinematografiche dei gruppi universitari fascisti a cura del ministero della cultura popolare, September 1938 p. 11
"considering the obvious difficulty of getting anywhere near the subject to be photographed, is an amazing piece of work, as regards photography, choice of shots, continuity, cutting, and editing. It is no exaggeration to say that a professional could have done no better. The whole grim business of the fight is depicted in a vivid and realistic manner, and but for the fact that the Censor and general public are averse to witnessing spectacles of this type of picture, if enlarged to standard size, could be shown in the cinemas" (Hill 1931: 7).
"Bulbs and Beauty reveals in painstaking detail the planting, cultivating and harvesting of gladioli in the vast fields surrounding the town of Momence in the state of Illinois. In this elaborate undertaking, Haven Trecker unfolds in well planned and profusely close-upped sequences the many colorful aspects of this popular plant in the life of flower-loving America. The harvesting sequence is followed by somewhat generous footage of a flower festival, the big annual affair in glad-minded Momence; and the festival in turn is followed by a seemingly endless parade in tribute to these bounteous blossoms. Bulbs and Beauty, accompanied agreeably by magnetic sound on film, appears to have been made for informative and record purposes. It fulfills these functions in a lively and competent manner." Movie Makers, Dec. 1952, 337, 339.
"The Bulb Changer tells the story of an alert trouble shooter who does a bit of scientific research and experimentation on his job, which is to replace burnt out light bulbs in traffic lights. It has a wry touch of humor that is refreshing" PSA Journal, Sept. 1964, 51.
"Produced in the late 1920s, this amateur film documents the construction of the Santa Fe Railway extension connecting San Angelo and Sonora. In 1928, the Atchison, Topeka and Santa Fe Railway Company (Santa Fe) purchased the Kansas City, Mexico and Orient Railway Company of Texas (Orient of Texas). In so doing, they also acquired the company’s system of track lines, 465 miles of which were in Texas. As a subsidiary of Santa Fe, Orient of Texas then began construction on a pair of extension lines: one spanning the 72 miles from Paisano to Presidio and another the 65 miles from San Angelo to Sonora. This amateur film captures early construction on the second, with a small crew using work horses to clear the route and build bridges. The San Angelo-Sonora line was completed on July 1, 1930. Santa Fe abandoned the line in 1976" Texas Archive of the Moving Image.
"Family members look on as mill men build an archway in the garden at Greenbank, Keswick. General outdoor scenes with flowerbeds and a swing." (NWFA Online Database)
"In 1975, Connecticut made the sperm whale its official state animal, as a symbol of conservation. The following year, a group of volunteers from the Connecticut Cetacean Society spent over 5,000 hours building a life-size, 60-foot, ferro-cement model of a male sperm whale, on the grounds of the Children's Museum in West Hartford, Connecticut, USA. Director of the project was Robbins Barstow, who filmed this dramatic, home-made documentary." Archive.org
Total Pages: 299