"George Kiehl's visit to Paris took him to many of the places of interest in the visitor. His fast moving travelog takes us through the main streets and some of the old sophisticated areas. We begin with the landmark of the 1889 Exhibition, followed by fountains, facades, monuments of marble and bronze, parades, tired souls asleep on the street, art centers, castles, water excursions, and, not to forget, Moulin Rouge and other night spots with choice centers of attraction" PSA Journal, Nov. 1958, 48.
"Parks of Paradise was originally intended as a 2000 foot pictorial travelog that would cover every national park and monument in the United States, but travel conditions enforced a limitation, so Norris Smitley has confined the scope to include only the national parks of the Southwest, permitting a more detailed presentation of the material used. Many unusual scenes of popular subjects are shown in the picture, which is further distinguished by beautiful color and meticulous cinematography." Movie Makers, Dec. 1943, 478.
"In Peasants, Konstantin Kostich, ACL, has produced a sympathetic and withal entertaining picture of the people of village and farm land in Czechoslovakia and Roumania. Expert photography, an understanding choice of camera angle and workmanlike sequences mark this interesting film study and serve as a vehicle for its outstanding quality — a sincere and attractive presentation of the people as they are, not as they might be made to appear for the sake of motion picture cleverness. Mr. Kostich needs rely only on his own skill and can afford to neglect making a point of what, in dress or custom, might appear to be a strange peculiarity to another people. Unlike many professional travel photographers, he can avoid these obvious aids to sustain interest and can present his peasants on the friendly basis of real understanding. This does not mean that he does not tell a real story; it simply means that he tells it fairly and sincerely and, hence, beautifully." Movie Makers, Dec. 1934, 534.
"In Ultima Thule and Peggy's Cove, produced by Edward A. Bollinger, ACL, and Mrs. Bollinger, one finds what must be the ultimate in beautiful scenic photography, magically infused throughout with a sensitive feeling for the relationship of ordinary people to their natural backgrounds. Beyond the veritable perfection of many of the scenes in these pictures it seems impossible for camera and film to go, even when guided by skill and imagination as superb as Mr. and Mrs. Bollinger's. Compositions, cutting and sequence structure are incisive and stirring, while the title wordings and execution leave little to be desired in suave good taste. The two subjects are first and last reels of a four reel study of Nova Scotia, in which, it is understood, Mr. Bollinger has done the camera work and his wife the editing and titling. It is a happy combination, from which have resulted documentary reels of magnificent skill and breathtaking beauty." Movie Makers, Dec. 1935, 550.
"Francis M. Hirst's Peggy's Cove is 8mm. scenic cinematography of a very fine kind. This familiar movie subject for personal filmers is given added interest and beauty by Mr. Hirst's handling of it. He has not departed from the high standard set by Edward Bollinger in the first of the many Peggy's Coves to be offered for Ten Best. While Mr. Bollinger had the advantage of a larger frame size, Mr. Hirst had the added factor of color, and he makes the most of it, hurdling the problem of distant shots in 8mm. Kodachrome in gallant fashion. Here we have the sincere recording, by an artist with an instant eye for beauty, of a locale that will, for years to come, invite the attention of filmers who wish to match their art against a distinguished subject." Movie Makers, Dec. 1939, 635.
"As indicated by the title, Miss Webb-Smith has built her picture around people; street scenes of people going about their business, children at play, girls with heavy loads on their heads, laundry activities along the river shore, also some views of the architecture, cork harvest and processing. She lets us feel that w have visited Portugal" PSA Journal, Oct. 1961, 49.
"The Island of Rhodes lies in the Agean Sea off the coast of Greece. Its barren, rocky terrain is home to the strong and hard working people, who have weathered the centuries with little change, in spite of the historical remnants of past invaders. They lead a hard, simple and religious life, but when an occasion arises, all join in the festivities of the celebration, roasting whole lambs over charcoal pits and preparing the delicacies for the general feast. The contrast is stark as a great modern ocean liner glides out of the ancient harbor that once was guarded by one of the Seven Wonders of the World - the Colossus of Rhodes" PSA Journal, Oct. 1963, 40.
A Catalonian film by Mr. John Salvans about camping in the Pyrenees.
"Pioneers' Progess begins with the land rush into Oklahoma territory almost a century ago, then shows the result of this stampede and the progress that Oklahoma has enjoyed in the intervening years" PSA Journal, Sept. 1966, 35.
"Plato in Amerika deals with the new life a young fellow from the Old Country finds in America. From working as a waiter in a restaurant to shooting dice with his friends, we see him dancing, brawling, wenching, and embarrassing his parents. When at last he is forced to marry one of his girl friends and later is seen romping with his children, he smiles at the camera and decides "this is life" PSA Journal, Sept. 1965, 51.
Total Pages: 36
Amateur Cinema