"Denali, the high one, takes us into the Park at the base of Mt. McKinley in Alaska to give us a better acquaintance with the animals that live in the 49th state with the long, cold winters. We visit with the bears, the big ones, the moose, fox, sheep, birds, and the busy beaver. We learn that the beavers work during the short summer season cutting, gathering, and storing leafy branches for winter food. There are many close-up views of the animals feeding and doing things wild animals do" PSA Journal, Oct. 1962, 33.
"The film opens in Florence, Italy, with the statue of David by Michelangelo, in marble. Then we quickly move to the quarry to observe the processes of opening a crack, part of the process of shearing off a piece from the huge mountain of marble. Later we see the cutting and slicing into useful slabs and polishing. Also, we visit a studio where, among other works, a large block of marble is being carved into a statue of Abraham Lincoln for the city of Boston. The commentary on tape is well done. This will be included in the Package" PSA Journal, Oct. 1962, 33.
"Floating, bubbling, revolving, darting, projecting, swirling, blending, forming, superimposing colors upon colors in sync with jazz music. Two numbers of different tempo and patterns, a fantasia of color configuration and music. What can one say about this type of visual and audible accomplishment on film? This will be included in the [prize winning] Package." PSA Journal, Oct. 1962, 34.
"We open with a little boy standing on a box in a telephone booth; his little friend is too busy or not of a receptive mood for the boy friend. Hurt as he is, he goes into the park and laments his failure to lure the young lady. He is about to resolve a life without women when a young (very young) girl comes into his perspective. His agile mind responds and he sets about to make an impression using many approaches of demure and sophisticated charm. His success was not exactly complete. Finally she visits the "girls" room. Her long delay is too much for the young man, so he makes another telephone call and hurriedly leaves the scene. The commentary is enhanced by the sophisticated French voice. This will be included in the Package" PSA Journal, Oct. 1962, 34.
"Wood block printing is one of the highest forms of art in Japan. It was first introduced into that country 2000 years ago, from China. With hammer and chisel, various cuts are made in the wood block to create the pattern to be printed. A separate block is cut for each hue. The form of each block is inked and impressed upon the paper or cloth or obtain the complete print. The picture takes us gently stimulate our interest in the art of wood block printing. we are privileged to see some of the exquisite prints. The narrator's voice with its oriental flavor adds a delightful touch to the picture. This will be included in the Package" PSA Journal, Oct. 1962, 34.
"An abstraction made by scratching patterns on black and white film with a needle. The clear areas were tinted with acetate dyes - thus adding color. The visual images are fitted to the mood and tempo of a commercial recording. The film was made without the use of a camera and required no developing. A novel presentation. This will be blown up to 16mm and will be included in the Package," PSA Journal, Oct. 1962, 35.
"Down the Colorado River from Hite to the junction of the San Juan River in Colorado, via a power boat. This is a camping, sightseeing adventure in the deep canyons of the river. We are acquainted with the preparations for this trip Along the scenic canyon way of picturesque land and rock formations we stop to search out some of the birds, lizards, flora, and other life of interest to the nature lover. The placid and rugged beauty of this area contains some of the old Indian caves. From one of the campsites we go by foot to the famous Rainbow Bridge, a natural arch span of more than 300 feet. Canyons unlimited is an inspiration to those who love adventure" PSA Journal, Oct. 1962, 34.
"An experimental abstraction of dancing patterns of a kaleidoscope. The colors, patterns, and designs change to the tempo of accompanying music. The mechanics of the kaleidoscope patterns appear to come from a triangular tunnel formed by three mirrors, with the camera at one end and the subject material at the other. At one point there appears either a glass rod or a bottle neck which adds to the fantasy of designs" PSA Journal, Oct. 1962, 34-35.
Total Pages: 299
Amateur Cinema