"Vida Pacoima, a two reel study of Mexican life in the southern California village of Pacoima, by Randolph B. Clardy, represents a near miracle in portraying a mood in motion pictures. Whether one likes (i.e., is entertained by) the film or not, there is no gainsaying the amazing emotional effect of its intelligent and beautiful cinematography. Here, in easy going and seemingly unstudied sequence, is the utter aimlessness of the slatternly village and its defeated people. Chickens and children, billy goats and black gowned old women, these are the life of Pacoima. Mr. Clardy has caught them all—either dreaming or drowsy in the sunshine—and presents them with a telling reiteration against the background of their broken homes and through the slats of their sagging fences. A sensuous delight, the photography is as nearly perfect as circumstances would permit, outstripped only by an unerring and often ineffable sense of motion picture continuity. In Vida Pacoima, Mr. Clardy is an artist to his finger tips and a movie maker down to the ground." Movie Makers, Dec. 1938, 617.
"Luc Fauvel is a Norman, and he turned to his own pays to contrive as sensitive and trenchant a study of French provincial life, in miniature, done by the medium of film, as did giants like Flaubert and de Maupassant through the medium of words. His Vieille France has irony, pathos, humor and plain reporting. It is the tale of an old bonnet maker of Normandy, who goes through her daily tasks, in which she has grown old, but who, at the end of the labor, reviews the past, by means of her photograph album, and meditates on her son, who died on the field of honor in the World War, and on her daughter who has become a great dancer and is far removed from the little Norman village of her origin. Mr. Fauvel accomplishes most by suggestion, by indirect statement and by a kind of insidious comment on life, never more than fleetingly presented. This young Frenchman, now studying at Cambridge, in England, will give us better and more technically well knit pictures as times goes on." Movie Makers, Dec. 1937, 630.
"Vigeland on Life is a poetic study of the work of Gustav Vigeland, famous Norwegian sculptor. The narrator reads passages from the poetry of Kahlil Bigran, selecting excerpts from "The Prophet" while on the screen the camera gives us several dozen glimpses of Vigeland's statuary" PSA Journal, Sept. 1965, 50.
Documental corto sobre el pueblo de Villa de Corres. El filme comienza con varios paisajes de los alrededores y planos de montañas y el río. A continuación se muestra el pueblo, aparecen casas, el río, calles y algunas partes características como el Castillo, el hospital, la iglesia de San Esteban, el bebedero, la fuente , la plaza, etc. También aparecen algunas personas mayores y niños por las calles. Se comenta que es un pueblo con una población de 30 habitantes pero que es uno de los pueblos más longevos de la provincia de Álava.
Short documentary about a town called Villa de Corres. The film begins with several landscapes of the surroundings and shots of the mountains and the river. Then the film shows the town, houses, the river, streets, and some landmarks like the Castle, the hospital, the San Esteban church, the drink fountain, the fountain, the square, etc. Some older persons and children are also seen. It is said that the town only has a population of 30 persons, but that it is one of the longest-living towns in the Alava province.
"With an eye for the timeless and pictureque, Alec Paull of Colchester filmed these 1930s scenes on his travels by bike around Essex and the Suffolk border. The few cars, bikes and buses appear amongst snow-covered homes and gardens, and leafy country lanes where lambs and ponies graze amongst the spring blossom." (bfi.org.uk)
"When you go to England this summer, and are looking for attractive color material, take a tip from Alan Moorhouse, ACL, of Toronto, as exemplified in his charming reel, A Village by the Sea. Running 400 feet of delightful Kodachrome, it tells a simple genre story of village life in Cornwall, down at the southwest tip of England. Here, streets and structures date from centuries back and the country folk still wrest their simple living from fish trawling in the cold, gray Channel waters. Mr. Moorhouse has caught a deal of this physical and spiritual color in his one reel film." Movie Makers, July 1936, 278.
"A. Scott Moorhouse of Toronto, Ontario, entered a combination black and white and Kodachrome subject in 'Village by the Sea.' This picture went very far in the finals and is highly deserving of the honorable mention it receives." American Cinematographer, Feb. 1936, 73.
A travelogue film from a trip to Austria.
Una película que invita a hacer un viaje por la Rioja Alavesa, en especial por el pueblo de El Villar. Un recorrido que muestra los edificios, los paisajes naturales y su
gente.
A film that invites to make a trip through the Rioja Alavesa region, specially through the El Villar town. A journey that depicts buildings, natural landscapes and the people of the region.
Travelogue exploring the history, sights, and people of the Virgin Islands.
"The Visible Woman is an attractive little package about a woman who tries to construct a visible woman. Doesn't sound like much of a theme, does it? But with a parallel in counterpoint between herself and her son, the injection of a cat that at times steals the show, and a real twist at the end, this well lighted and well photographed little gem is one you'll remember for quite a spell. Probably its finest feature is its editing - great" PSA Journal, Sept. 1964, 51.
Total Pages: 295
Amateur Cinema