"Oscar H. Horovitz, you may recall, already has told in words (see Israel Invites, March Movie Makers) about his month-long visit of last year to this newest of the world's democracies. In The Israeli Story, with all personal references excised, he now sets forth film a record of this hard-won republic he found it. Covered, in step-by-step reporting, are its polyethnic citizens, its social, economic and educational centers, and, briefly, its hopes for the future. Supplementing this visual reportage there is a technically excellent magnetic recording on film, in which music is used sparingly and the narrative is both written and delivered with restraint. As such, The Israeli Story is a competent documentary record which should serve (and, in fact, has served) the public relations program of the new Jewish state effectively. An objective observer of the film, however, draws from it little if any of the emotional uplift which is eagerly hoped for by every sympathetic viewer." Movie Makers, Dec. 1952, 341.
"doc. scientifico-turistico"/scientific-tourist documentary
One of the first examples of 16mm sound —Cinegiornale, 1936
"Isle of the Gods is a visit to the Island of Bali and a closeup look at the people, their beliefs, their superstitions, and their way of life. Bali is changing. No longer is this a primitive isle, for the constant encroachment of civilization has made its mark here as well as elsewhere in the South Seas" PSA Journal, Aug. 1967, 37.
"Films about national parks and monuments fall into the traps of banality with greater ease than almost any other variety of footage. It was. therefore, with great delight that the judges reviewed Timothy and Delores Lawler's Isle of the Dead. For, using the famed Boecklin painting and the equally known Rachmaninoff music as theme and atmosphere, the Lawlers have produced a cinematic tone poem from the materials offered by Yellowstone and the Badlands. Their efforts completely dominate both music and painting, which become effective substrata of the esthetic whole. The film's great virtue and its slight defects spring from the same source — the single mood that the Lawlers have worked for and have achieved." Movie Makers, Dec. 1950, 464-465.
"Members of the Preston family on holiday in the Isle of Man. Various locations around the island are visited - including Douglas, Derby Castle and Onchan Head. At Groudle Glen, people are seen having a ride along a miniature railway and a zoo keeper is filmed throwing fish to a hungry sea lion in its concrete enclosure. Further scenes include close up shots of the Laxey Wheel in motion and a manx cat. Concludes with footage of the seafront at Ramsey." (NWFA Online Archive)
"A travelogue about southern Vancouver Island, probably shot in the early 1970s" British Columbia Archives.
"Scenes of Vancouver Island, including the Victoria Inner Harbour, local tourist attractions, ocean shots, Chinatown, sailboats and nature shots" British Columbia Archives.
The film was produced at some time in the 1960s.
"Expedition to the Bunsby Island group on the west coast of Vancouver Island to undertake a survey of plants, wildlife and marine life there. Made for lecture use." (BC Archives)
"Animated puppets, dogs in this case. Synchronized with a song of the same title and cleverly done." PSA Journal, Nov. 1956, 45.
Total Pages: 299
Amateur Cinema