"The Visible Woman is an attractive little package about a woman who tries to construct a visible woman. Doesn't sound like much of a theme, does it? But with a parallel in counterpoint between herself and her son, the injection of a cat that at times steals the show, and a real twist at the end, this well lighted and well photographed little gem is one you'll remember for quite a spell. Probably its finest feature is its editing - great" PSA Journal, Sept. 1964, 51.
"TV You'll See in 83' is a club production and observes that the commercials on TV are getting more numerous all the time. Pretty soon, says the film, they'll squeeze out all program material and TV will be one long string of commercials from morning to night. How will these commercials hold the viewer's interest? The Toronto club gives several examples" PSA Journal, Sept. 1964, 51.
"Siam is a better than average travelog about this oriental country. The narrator is careful to point out the odd and the unusual, while the camera depicts every day events in a subjective manner as well as catching some unusual scenes usually missed by the casual tourist" PSA Journal, Sept. 1964, 51.
"Reel Meal concerns the life of one meat ball, and is filmed to fit the tune of "On Top of Old Smokey." As a chorus sings specifically written words about one poor meat ball that got away, the scenes, cut to fit, record the antics of the fugitive from a plate of steaming spaghetti. A refreshing novelty well done" PSA Journal, Sept. 1964, 51.
"The One Man Band shows the filmer, Sid Laverents, playing about six instruments all at once, not to mention an old auto horn squeezed in between his knees that would compete well with Spike Jones, He explains what he is up to as a one man band, then plays two or three selections. A lively and entertaining film" PSA Journal, Sept. 1964, 51.
"Objectif Festival is a story based - on truth or not, we don't know - of an old photographer who decides to bring his camera, tripod and all, the to the Cannes Film Festival to get a few still shots. He is not prepared for the fast shooting shutterbugs of today, nor the Bikini clad French dolls that litter the beaches. Time has passed him by in more ways than one. The film has been cleverly cut to fit its musical score, and this unusual editing has earned for the film the MPD Golden Scissors Award for the best film editing in the contest" PSA Journal, Sept. 1964, 50-51.
"A Glimpse of Paris shows us the usual sights of the French capital as well as some of the less common places. Tight editing keeps the film moving yet the feel of jumping rapidly from one spot to another, so often prevalent in travel films, is not present in this one" PSA Journal, Sept. 1964, 50.
"Cay Sal is a film of underwater life and treasure, containing some excellent underwater photography - steady, consistent, with adequate illumination for exposure and excellent subject matter" PSA Journal, Sept. 1964, 50.
"Because I Say So is a club production and concerns the influence a certain "Count Polo" has on women. His latest book "Woman Perfected" advises women how to be better wives. At least one woman tries his theories - and the climax of the picture proves Count Polo knows what he is talking about - or does he?" PSA Journal, Sept. 1964, 50.
"Work of Nature–in Florida takes us to this tropical state for a glimpse of many forms of wild life including the ever present alligator and the night prowling raccoon, but mostly this is a film about bird life. We see good glimpses of the snowy egret, the wood duck, night heron, hawk, wood stork, cormorant, little blue heron, grackle, macaw, cockatoo, peacocks and many others. A good narration, well delivered and full of factual information, keeps this film moving. It was winner of the MPD Nature Film Award" PSA Journal, Sept. 1964, 50.
Total Pages: 299
Amateur Cinema