"Land of My Dreams, Joseph J. Harley, ACL, will tell you, is a simple record of fun and friends. As such, it is an attractive piece of Kodachrome, colorful in its camera work, leisurely in its pace (400 feet, 8mm.) and frankly sentimental in its outlook. Lake Saranac and the Harley summer cottage comprise the land of Joe Harley 's dreams, although his myriad friends of ten years' standing play a large part in that Elysium. You see them throughout the film, going about their fishing and boating, picnics and swimming with an infectious zest and good humor. The record is climaxed with a detailed presentation of a grand communal party, at which each of the guests is required to put on some sort of skit or bit of entertainment." Movie Makers, June 1944, 246.
Note of warning: the "communal party" referenced in the description above includes a performance in blackface.
"This amateur film captures Edwin and Minnie Mayer’s worldwide adventure across Australia, Asia, Africa, and Europe in the 1950s. This segment documents stops in Thailand, India, Egypt, Greece, Vatican City, Italy, the Netherlands, and England" Texas Archive of the Moving Image.
"This amateur film captures Edwin and Minnie Mayer’s worldwide adventure across Australia, Asia, Africa, and Europe in the 1950s. This segment documents stops in Australia, Japan, Hong Kong, the Philippines, and Malaysia" Texas Archive of the Moving Image.
"Manos: The Hands of Fate is a 1966 low-budget horror film written, directed, and produced by El Paso native Harold P. Warren, who also starred in the picture. In the film, a vacationing family gets lost while driving through the Texas desert. Stopping at a mysterious lodge for the night, the family finds themselves captives of a polygamous pagan cult. Shot in Warren’s home town and cast locally, the film premiered at the Capri Theater in downtown El Paso on November 15, 1966, and received largely negative reviews. As Betty Pierce of the El Paso Herald-Post wrote, “A real high point came when the wife, Diane Rystad, was compelled to deliver the line, ‘It’s getting dark,’ at the moment when the El Paso sunshine was glowing its brightest.” Widely recognized as one of the worst films ever made, the movie nevertheless achieved cult status after its appearance on the television comedy series Mystery Science Theater 3000 in 1993" Texas Archive of the Moving Image.
"An amateur film made by and starring the husband and wife duo, John & Evelyn Kibar. After Mrs. Kibar asks Mr. Kibar to throw away his old collectables, or “junk,” Mr. Kibar begins reflecting on past travels. Only later do we find out this travel sequence is actually just a dream." Chicago Film Archives
Sub-title: "Galiano Island 1940" Summary: "Impressionistic record of a sojourn on Galiano Island over a Labour Day weekend, with Oscar Burritt, Dorothy Fowler [later Burritt] and Margaret Roberts." (British Columbia Archives)
"Coastal people, places and scenery between Vancouver Island and the mainland. Includes footage of Indian villages, pictographs, birds and wildlife, logging operations, other vessels, etc. One sequence shows a Kelly raft of aviation spruce being broken up; another shows logs being unloaded from the log barge 'Monongahela' (formerly the ship 'Balasore', whose figurehead is shown sitting on shore). The B.C. Packers cannery at Quathiaski Cove is shown. Troops arrive at Nanaimo from Vancouver on the 'Princess Victoria' and parade through the streets" British Columbia Archives.
"Cruise on Toketie. Coastal people, places and scenery between Vancouver Island and the mainland. Includes footage of Indian villages, pictographs, birds and wildlife, logging, other vessels, etc. Notably, there are good shots of the abandoned villages of Gwayasdums, Karlukwees, and Mamalilaculla, as well as the burial ground on Klaoitsis Island" British Columbia Archives.
"Coastal people, places and scenery between Vancouver Island and the mainland. Includes footage of Indian villages, pictographs, birds and wildlife, logging operations, other vessels, etc." British Columbia Archives.
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