"This amateur horror film, made by longtime Austin resident Ramon Galindo, follows a group of kids as they go fishing. When one girl falls and injures herself, she is taken by a Frankenstein-esque villian to an abandoned, rural house where he prepares a potion to give her as she lays on skeleton bones. When the girl makes a run for it, her friends and a sheriff’s officer join in to help rescue the girl and capture the villain. This film was made in 1964 with children from Austin’s Travis Heights neighborhood. Austin local Chris Crow plays the villain and commissioned the music for the film locally. It was shot in Hays County between Kyle and San Marcos, Texas" Texas Archive of the Moving Image.
"This collaborative student film follows a confused young man throughout his day, as he navigates various environments (church, neighborhood streets, parties, etc), never seeming to fit in. Beatles songs featured prominently throughout." Chicago Film Archives
"The film depicts a Boy Scout's walk through a rural setting. He's later joined by a group of children who follow him through meadows and corn fields." Chicago Film Archives
"A South Shore High School student film that is an allegory on the wastefulness of war and the duplicity of those who wage it. Filmmaker Wayne Williams, who was 17 at the time, cuts back and forth between a chess game and a guerrilla theater war game to underscore the sense of importance of the fighters and the cynicism of those who control their lives - and deaths." Chicago Film Archives
At home in the evening, a sophisticated young woman entertains an awkward male friend of her brother. They make small talk and dance to records -- but the boy's social anxiety overwhelms him, and he disappears in a puff of her cigarette smoke. (D.J. Duffy)
"Teenagers...embark on a space mission to explore Alpha Centauri, the second closest star to Earth. The film follows the astronauts during the preparation for their mission, their journey through space, and finally, their encounters with life on Alpha Centauri. The end of the film portrays the astronauts and the Alpha Centaurians coming together in a utopian gathering, complete with cheerleaders, a pony, and an astral princess." Andrea McCarty, http://oldfilm.org/content/mission-alpha-centauri-0
"Film is a fictional story about a teenaged woman named Vanessa who returns to her Yorkville home to find that her parents are at a cocktail party and her sister is being babysat by someone who isn't what 'she' seems" Archives of Ontario.
"A teen-aged girl — whose imagination has been excited by murder headlines in the local paper — and a mysterious new boarder in her mother's home are the ingredients of The Man With The Box, a superlative melodrama by James L. Watson. For here is as hair-raising a thriller as you could want to see. Mr. Watson tells his story through the interplay of image and counterimage, without benefit of dialog, and he tells it simply and well. Taut and well paced, the film should hold any audience in suspense-filled excitement from its quiet and clearly stated beginning right up to the shock of its logical and terrifying conclusion. The small cast has been cunningly chosen and wisely directed. The players, Cathy Moss as the inquisitive young girl and John Dowell as the strange boarder, give restrained yet moving performances, sustaining the film's mood admirably. The accompanying score not only complements the story line: it becomes, excitingly, an integral part of it. The Man With The Box returns to the first principles of the silent cinema with rewarding vitality." Movie Makers, Dec. 1952, 399-400.
"Almost since the beginning of amateur movies, the dawn-to-dusk continuity has been a perennial favorite in personal movie making. In Hands Around the Clock, William Messner presents a suave and refreshing variation on this well-worn theme. For in his version, as the title suggests, only a pair of hands (apparently belonging to a talented teen-aged youth) portray the morning-to-midnight activities being pictured. Outstanding in Mr. Messner's production is the implicit evidence of exact and imaginative planning. Scene flows into scene, and sequence into sequence, with an effortless ease which finds every transition in exactly the right place. Mr. Messner's musical score is pleasantly suitable, excellently recorded and accurately synchronized. The producer of Maxine's Big Moment, a 1948 Ten Best, has taken a big step forward in creative filming." Movie Makers, Dec. 1950, 464.
"The trials, tribulations and eventual triumphs of a teen aged young man embarked on his initial evening engagement are engagingly portrayed by John C. Sherard in First Date. Even the traditional nuisance role played by junior members of the girl's family is given a new angle — a trained flea circus on the loose. But this bit of business and others in a basically imaginative comedy are, on occasion, drawn out too much for the best dramatic pace. Outstanding in the film, however, is Mr. Sherard's use of Type A Kodachrome outdoors without the corrective filter to simulate moonlight." Movie Makers, Dec. 1949, 469.
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