"On use of camera lenses to produce desired photographic effect. Demonstrates functions of different lenses." National Archives.
"An abstraction made by scratching patterns on black and white film with a needle. The clear areas were tinted with acetate dyes - thus adding color. The visual images are fitted to the mood and tempo of a commercial recording. The film was made without the use of a camera and required no developing. A novel presentation. This will be blown up to 16mm and will be included in the Package," PSA Journal, Oct. 1962, 35.
Documentary film chronicling the background and production of Dinosaur Dream (1995), which Sid Laverents made in his late-80s with assistance from his wife, Charlotte.
"Henry E. Hird, whose suavity and expertness as a movie maker increase each year, has chosen in his present offering to illustrate one of the cine film's most interesting capacities — its power to analyze motion. Introducing his footage with a lead title assembly finely accomplished with double exposure on moving backgrounds, Mr. Hird has observed and recorded with cinematic sureness such things as what happens when cream is poured into a cup of coffee and is filmed in such manner that the action is greatly slowed down for careful analysis. We watch the mechanics of flying seagulls, in landings and takeoffs. We look at the manner in which crystals are formed from chemical combinations, as well as at opening flowers, by time lapse filming. Smoke rings are shown and there are fine examples of the familiar dives caught in slow motion. Mr. Hird's picture compares favorably with the best slow motion studies of the professional screen, and it presents a number of fresh subjects." Movie Makers, Dec. 1946, 471, 486.
"The eagerness of a movie maker to use a new cine camera is the clever introduction and leitmotivof Movie Bugs, an exceedingly well photographed picture by Dr. Frederick W. Brock. The picture tells how the movie maker protagonist gets in touch with a science teacher and how the two of them construct a support for the camera for use with it in filming through a microscope. The succeeding shots of hydrae and paramecia and other microscopic organisms are beautifully filmed, and the picture infers the obvious conclusion that any university zoology department should be equipped to make such studies. Clean cut interior lighting and a well knit story distinguish this fine filming job." Movie Makers, Dec. 1938, 620.
"A bathing beauty parade in Florida, blessing the fishing fleet at Gloucester, a tomato throwing fight in — well, it doesn't matter. These are not, to be sure, true scoops in the journalistic sense of the term. But they do constitute what passes for news these days in the newsreels; and, under George Merz's competent camera treatment and incisive cutting, they most certainly make for good movies. Mr. Merz sustains audience interest throughout Movie News Scoops, working in a film form — the topical newsreel — which the amateur generally has found difficult." Movie Makers, Dec. 1951, 412.
"This film shows Charles Devenish Woodley making a film." Library and Archives Canada.
"A clever, artfully-shot, and carefully-edited amateur film of the 1939 New York World's Fair." oldfilm.org
"This takes us back to the Bijou days, the serial pictures, the villain with the mustache, and the slapstick comedy. It is a picture of several pictures, including lantern slides, and a soloist who sings to the accompaniment of a piano and lantern slides for the visual. A family goes to the 10¢ movie in the days which some of us like to look back to and reminisce as the good old days, before the talking pictures. This will be blownup to 16mm and included in the Package" PSA Journal, Oct. 1962, 34.
Total Pages: 9
Amateur Cinema