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Conscience, The

Date produced: 1967

Filmmaker(s):

E. Van Herpen

Description:

"The Conscience is one of those psychological studies without being too psychological in its treatment and approach. A hit and run driver decides no one will know his crime, but he finds it hard to live with his conscience. Everywhere he looks he sees himself as judge and as prosecutor, finding himself guilty as he pleads for mercy. Photography is not the best, but the story is quite powerful" PSA Journal, Aug. 1967, 37.


In His Own Judgement

Date produced: 1944

Filmmaker(s):

Joseph J. Harley

Description:

"The 1944 Hiram Percy Maxim Memorial Award film, In His Own Judgement, is the distinguished expression of the mature thought of a generous, broad and rich mind. With all the individualism of Henry Thoreau, whose philosophy the picture exemplifies, Joseph J. Harley has lifted up his eyes unto the hills and to the lonely places of nature and has brought from them a finely sincere, dramatic story that declares his own credo of man's healing.The tale is simple. A jurist, on the verge of a nervous collapse, disappears and finds refuge from terror and confusion in a lonely wooded retreat. Almost identified, after some years, by two young girls who meet him by chance, he tells them the tale of "a missing judge" in retrospective sequences. Although nearly convinced that he is the long sought man, they decline to earn the reward offered for news of him and leave him in peace. In cinematography, direction, action, dramatic construction and realization of beauty, Mr. Harley's film is of high quality. The tense horror of the overworked jurist in the crowded city is followed by the rest which he finds in solitude. The words of the Psalms comfort him and bring him "peace at the last." They are exquisitely read in a special recording. Mr. Harley was greatly aided in his two long years of labor on the picture by the fine and sincere work of his brother in law, Charles Hooker, who assumed the role of the judge with authority and restraint. The whole film is beautifully integrated by phonograph with the music of Dvorak's violoncello concerto in B minor, Liszt's Les Preludes, Goldmark's Rustic Wedding Symphony, Brahms's Tragic Symphony, Sibelius's Karelia Suite and one of the Slavonic dances of Dvorak. These provide the sole musical contribution. Mr. Harley, an engineering executive for a large corporation, has put into this remarkable film a breadth of culture acquired in two continents, the authority of a man who has looked at life and has come to conclusions about it and the creative fire and disciplined achievement of a real artist." Movie Makers, Dec. 1944, 476-477.