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residue 2

Date produced:

Filmmaker(s):

Angus Hanson

Description:

"Experimental film. A collage film combining found footage (on mixed film stock) with hand-painted stock and hand-scratched stock leader. No readily identifiable locations are shown." (BC Archives)

"The authorship and origins of this unusual film are not clear. Since it was found in the collection of cineaste Oscar C. Burritt [following his death], it is assumed to have been made by him as a precursor (or a response) to the [experimental] film and-, made by his future wife Dorothy Fowler [Burritt]. The Kodachrome stock in the original film has the edge code for 1938; the hidden phrase "Help the people of Denmark" may refer to the Nazi occupation of that country in 1940." (BC Archives)

Available evidence suggests that residue 2 was probably made between 1938 and 1946 in Vancouver. (D.J. Duffy)


Rhythm of Life

Date produced: 1932

Filmmaker(s):

Henry Bulleid

Description:

"Amateur filmmaker, cinema historian and railway engineer H.A.V. Bulleid pays tribute to his dual loves of cinema and rail in an experimental short film. Bulleid uses 'metric editing' - the first of Russian director Sergei Eisenstein's 'methods of montage' - in which cuts are dictated by the number and sequence of frames, not what occurs on screen. First, Bulleid pays tribute to cinema, featuring the facades of picturehouses around Derby in static shots, which build to a dazzling crescendo of short shots. The section on trains features longer views of the railyards in operation, with trains shunting and coming into the station, before a final section focuses on trams, following electric streetcars as they move down urban streets" (EAFA Database).


Risveglio [Awakening]

Date produced: 1936

Filmmaker(s):

Vittorio Cossato

Description:

"doc. a fantasia"/avant-garde documentary Risveglio, regista Vittorio Cossato, collabora­tore tecnico Antonio Marzari. Il film presenta in una successione di inquadrature rigorosamente fisse, il contrasto tra il passato e il presente espresso talora attraverso simboli (come nella prima parte l'uomo che, visto di schiena cammina per un terreno paludoso, triste e squallido) ma quasi sempre per visioni di natura, di nuove ge­nerazioni al lavoro nel traffico dei porti, delle strade e nelle adunate. Vi sono dei passaggi fre­schi e il film nel complesso non manca di una certa omogeneità ritmica. Awakening, director Vittorio Cossato, technical collaborator Antonio Marzari. The film presents, in a succession of rigorously fixed shots, the contrast between the past and the present, sometimes expressed through symbols (as in the first part, the man who, seen from behind, walks through a sad and bleak, marshy terrain), but almost always through visions of nature, of new generations at work in the traffic of ports, roads and rallies. There are some fresh passages and the film in its entirety does not lack a certain rhythmic homogeneity. —Il Ventuno 29 (Review of the G.U.F. of Venice), June 1935, p. 16


Running Gag, The

Date produced: 1949

Filmmaker(s):

Jack S. Grassick

Charles Woodley

Description:

"Film about how to make films." Library and Archives Canada.


Şafak = L’Aube [Down]

Date produced: 1963

Filmmaker(s):

Alp Zeki Heper

Description:

“İlk film çalışmalarını Paris’te gerçekleştiren Heper, Galatasaray Lisesi’nden mezun olduktan sonra önce hukuk okumak için Cenevre’ye gider lakin mutlu olamaz ve okulu bırakarak Fransa’ya geçip, Paris Yüksek Sinema Enstitüsü’de (Institut des Hautes Etudes Cinématographiques – IDHEC) sinema eğitimi almaya başlar. Bu okuldan ‘En İyi Yönetmen’ ünvanı ile mezun olan yönetmen, bu dönem (1963 yılında) gerçekleştirdiği iki kısa filminden ilki olan ‘Bir Kadın’ ile IDHEC, ikinci kısa filmi Şafak ile de hem IDHEC hem de Avusturya Kültür Bakanlığı En İyi Film ödülünü almıştır.” Burak Çevik, Sinematek.tv: http://sinematek.tv/alp-zeki-heper-ve-iki-kisa-filmi-bir-kadin-safak/ (15 November 2019).

“Graduated from Galatasaray Highschool, Heper first went to Geneva to study law. Because he was unhappy in Geneva, he left the law school and went to Paris to study filmmaking at Institut des Hautes Etudes Cinématographiques (IDHEC). He graduated from IDHEC with the award, “the best director.” The two student short films, Bir Kadın and Şafak, made by Heper when he was at IDHEC, received the best film awards from both IDHEC and the Austrian Ministry of Culture. Burak Çevik, Sinematek.tv: http://sinematek.tv/alp-zeki-heper-ve-iki-kisa-filmi-bir-kadin-safak/ (15 November 2019).


Segunda Primera Matriz, La [The Second First Womb]

Date produced: 1972

Filmmaker(s):

Alfredo Gurrola

Description:

" La segunda primera matriz narraba visual y poéticamente una historia de la humanidad, desde el origen hasta la carrera espacial, como una nueva frontera. En una primera sección, entre tomas de nubes, remolinos y oscuridad, hacía referencia al origen de la vida. (...) Después del lanzamiento del cohete y de las imágenes sobre la exploración del espacio, se ve a una mujer desnuda en el campo. La cámara hace un lento tilt down recorriendo su cuerpo. Al pasar por el pubis sigue a una gota de sangre que comienza a deslizarse por la pierna. Cuando llega al suelo aparece un desfile de tanques de guerra en miniatura, rojos, como los que se habían mostrado anteriormente en la película. La película termina con un cartel que dice 'Pero también se puede parir la nada' " (Vázquez Mantecón, 2012).

La segunda primera matriz [The second first womb] told visually and poetically a story about humanity, from its origin to the Space Race, as a new frontier. In a first section, amongst shots of clouds, swirls and darkness, it referred to the origin of life. (...) After the launch of a rocket and images about exploring space, the film shows a woman naked in the country. The camera makes a slow tilt down of her body. When passing by the pubis, the camera follows a drop of blood that slides by the leg. When it reaches the floor, a parade of miniature war tanks appear, red, like the ones previously shown. The film ends with a sign that says 'But you can also give birth to nothing' " (Vázquez Mantecón, 2012).


Semáforo, El [The Traffic Light]

Date produced: 1970

Filmmaker(s):

Miguel Ángel Quintana

Description:

Filme experimental en el que sobre una imagen fija de un semáforo, el sonido es el principal protagonista.

Experimental film in which sound is the main protagonist over a fix image of a traffic light.


Seven Till Five

Date produced: 1933

Filmmaker(s):

Norman McLaren

William J. MacLean

Description:

"Filmed by Norman McLaren and Willie J. MacLean, [Seven Till Five] shows a day in the life of the Glasgow School of Art." National Library of Scotland Moving Image Archive.


Sexual Product, A

Date produced: 1972

Filmmaker(s):

Bea McKinney

Description:

"Produced by Bea McKinney, “A Sexual Product” is a short amateur film featuring stop-motion animation. McKinney, who taught filmmaking at King High School in Corpus Christi, made the film while studying at the Center for Understanding Media in New York in July 1972" Texas Archive of the Moving Image.


Short Spell

Date produced: 1957

Filmmaker(s):

Stuart Wynn-Jones

Adrian Lamb

Description:

"A two minute black and white cartoon built around the animated spelling of short words which are quickly converted into the subject of the spelling. There is an effective sound impulse with the rapidly changing characters. Stewart Wynn-Jones has done a short bit of clever cine-cartooning" PSA Journal, Nov. 1957, 33.


Total Pages: 16