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Jubilee Colour at Westminster

Date produced: 1935

Filmmaker(s):

Eustace Alliott

Description:

A Dufaycolor film documenting the Jubilee procession of King George V. The procession was filmed from a window in Parliament St., London, with views down Whitehall past the Cenotaph and across Parliament Square to Westminster Abbey. King George V and Queen Mary pass in an open carriage. Throughout the film various locations around London are documented, displaying the colourful decorations for the celebration. (EAFA Database)


L. A. Snowstorm: Jan. Sixteen, Thirty Two

Date produced: 1932

Filmmaker(s):

Cloyd E. Louis

Description:

Footage of residential Los Angeles after a snowstorm in 1932. Opens with an Amateur Cinema League leader and a stop-motion animated title.


Laderas de Izkiz [Hillsides of Izkiz]

Date produced:

Filmmaker(s):

Eloy González Gavilán

Description:

Corto documental sobre el pueblo de Izkiz , en el que el narrador describe de forma poética el pueblo entre planos de paisaje y arquitectura de este mismo. Mientras se recitan varias poesías aparecen imágenes de casas, tejados, laderas, ventanas, calles, la iglesia, casas abandonadas, animales, personas, niños –jugando o andando en bicicleta –, personas mayores, escenas de campo y vida campesina, escenas vacacionales, invernaderos, flores, insectos, el río, etc.

Documentary short about the town of Izkiz, in which the narrator describes the town in a poetic way while the film shows shots of landscapes and architecture. While several poetries are recited, we see images of houses, roofs, hillsides, windows, streets, the church, abandoned houses, animals, persons, children –either playing or riding bikes–, elderly people, countryside and country life scenes, vacation moments, greenhouses, flowers, insects, the river, etc.


Lady Says Rain, The

Date produced: 1970

Filmmaker(s):

Bernhard Krimphove

Description:

"The Lady Says Rain by Bernhard Krimphove of Bronx, N.Y. Bernhard has defied the old belief of keeping your camera indoors when it rains - he has produced a fine film of the wet moods of a city. This 6-minute 8mm film awarded an Honorable Mention" PSA Journal, Nov. 1970, 38.


Lake Mohawk, Preferred

Date produced: 1940

Filmmaker(s):

Leo J. Heffernan

Description:

"Lake Mohawk, Preferred, made by Leo J. Heffernan, is a picture of the attractions, residences, entertainments, dog shows, yachting regattas and water sports of Lake Mohawk in New Jersey. But Lake Mohawk, Preferred is also a film with a continuity idea utterly new to amateur movies, for the not unusual subject matter of the picture is held together with a "screwball" theme and "gags" that keep you wondering what is going to happen next and entertained in the meantime. A handsome couple have a movie camera. "Concentrate to make good movies," says their instruction book. This they do in a very pleasant way (see the frame enlargement on page 577), and the results are surprising. Their mental efforts transport them and the camera bodily about the lake, at just the right time and place to film whatever is going on. They have some astonishing experiences, too. Sometimes they can't seem to materialize, and they pick up odd characters in their voyages through ether. But their method works and they get beautiful and lively sequences of life at Lake Mohawk." Movie Maker, Dec. 1940, 603.


Landfalls of the Caribbean and Primitive Surinam

Date produced: 1960

Filmmaker(s):

Floyd Henry Wells

Description:

Edited film "chronicling travel through the Caribbean including scenic landscapes, cities and villages, dance, local markets and fishing. Wells travelled on the M/s Stella Maris II. Locations filmed include Puerto Rico, Saba St. Kits, Gaudelupe, St. Lucia, Barbados, Paramaribo, Tobago, Trinidad, Grenada, St. Vincent, Dominica, Martinique, Fortress of San Felikpe Del Morrow (San Juan), For Christianvaern, Fort Fleur depee XVIII siecle, and Sam Lord's Castle," Human Studies Film Archives, Smithsonian Museum.


Lekeitioko jaiak [Lekeitio Celebrations]

Date produced:

Filmmaker(s):

Benito Ansola Erkiaga

Description:

Desfile de gente disfrazada por las calles de Lekeitio hasta llegar a la plaza donde se reúnen todos y hacen sus respectivos espectáculos.

A parade of people in costumes in the streets of Lekeitio, until their arrival to a square where everyone meets and perform.


London

Date produced: 1934

Filmmaker(s):

Eunice Alliott

Eustace Alliott

Description:

"Three sequences of street scenes shot in Westminster during the 1930s. The exact date of the film is not known" (EAFA Database).


Lure of the West

Date produced: 1935

Filmmaker(s):

R. Bryson Jones

Description:

"Edited film used by an amateur travel-lecturer documents travel in western and southwestern United States beginning at a rodeo in Phillipsburg, Kansas (trick riding, lassoing jack rabbits, roping calfs, wrestling steers, horse races, bucking broncos and bucking steers as well as scenes of an airplane flyover and of an airplane crashing which possibly was a stunt) and continuing to Black Hills, South Dakota (forest scenery and ca. 1927 construction of Mount Rushmore--blasting off cliff face, scaffolding, men working and completed monument). Shown are roadside scenery, railroad tracks, men cleaning railroad tracks with hose and tank on small train car on the way to an unidentified mountain fishing camp possibly in Colorado (canoeing, fishing in stream, and a smokehouse) and a mountain farm where colts are branded. Cog railway is taken up to Pike's Peak. Travels continue to to the Southwest (unidentified southwestern town possibly Santa Fe with adobe buildings and men and children in Mexican dress singing and playing guitar, American Indian dance performance indoors possibly Zuni, parade of American Indians in unidentified city perhaps Gallup and Navajo band. Scenes of the southwest continue with Navajo in Canyon de Chelly (hogans and herding sheep), prehistoric archaeological sites (Mesa Verde, Chaco Canyon another unidentified cliff dwelling possibly Montezuma's castle) and Taos Pueblo. Film records American Indian dances at a gathering of Indian tribes possibly at Gallup, intertribal horse races and women's tug-of-war. Hopi are shown dancing at Hopi. Also shown are Indian women (possibly Apache or Navajo) and children together and children in cradleboard and the Navajo reservation (hogans, women spinning and weaving under a ramada, herds of sheep and goats and "dipping sheep"). Natural wonders of Grand Canyon, Monument Valley and Rainbow Bridge National Monument are featured.Travel continues to Yellowstone National Park, California (scenery, black bears, hot springs and geysers) and onto the California coast possibly Monterey (seals on rocks). Also shown are an unidentified town with oil pumps and derricks and people waterskiing" via the Human Film Studies Archives, Smithsonian Museum.


Luz externa [External light]

Date produced: 1974

Filmmaker(s):

José Agustín Ramírez

Description:

"Luz externa fue una de las producciones más ambiciosas del súper 8 mexicano. El guión se basaba en el monólogo de Ernesto, un machín jipiteca, que relata a un amigo las peripecias con su novia Raquel. Posteriormente el guión sirvió como la base del cuento con el mismo título que apareció como parte del libro El rey se acerca a su templo. Tanto la película como el cuento se abocaban a describir el abanico amplio de la juventud clasemediera urbana contracultural que había aparecido a fines de los años sesenta y principios de los setenta: los macizos que acceden al consumo de drogas, las muchachas de buena familia que se acercan a ese mundo, los nuevos conversos a la revolución social o los intelectuales que participan del ambiente con simpatía" (Vázquez Mantecón, 2012).

"Luz externa [External light] was one of the most ambitious productions of the Mexican super 8. The script was based in the monologue of Ernesto, a 'machin' hippie, that tells a friend about his adventures with his girlfriend Raquel. The script served later as the base for a short story with the same title that appeared as part of the book El rey se acerca a su templo [The king approaches his temple]. Both the movie and the short story described the wide range of the middle class urban countercultural youth that emerged at the end of the sixties and the beginning of the seventies: the strong men that had access to drugs, the girls from good families that entered that world, the new converts to social revolution or the intellectuals that sympathize with that ambiance" (Vázquez Mantecón, 2012).


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