"Vincente Mills, of Manila, Philippines, for his entry in the American Cinematographer 1933 competition will make a religious picture built around the practice in his country which takes place during Holy Thursday and Good Friday each year. As this practice is fast disappearing, according to Mills, it will also act as a fine historic record." American Cinematographer, Sept. 1933, 191.
"This amateur film captures Edwin and Minnie Mayer’s worldwide adventure across Australia, Asia, Africa, and Europe in the 1950s. This segment documents stops in Thailand, India, Egypt, Greece, Vatican City, Italy, the Netherlands, and England" Texas Archive of the Moving Image.
"This amateur film captures Edwin and Minnie Mayer’s worldwide adventure across Australia, Asia, Africa, and Europe in the 1950s. This segment documents stops in Australia, Japan, Hong Kong, the Philippines, and Malaysia" Texas Archive of the Moving Image.
"Rice Harvest in Japan by James and Veda Linford, PSA members of Oakland, Calif. The Linfords have presented another pirze film to go along with their former winners. This 8-minute 16mm film was awarded a Ten Best Medal" PSA Journal, Nov. 1971, 41
"Monkey's of the Snow Mountain is a touching film of northern Japan produced by Masatoshi Okochi of Japan. You will never believe how sorry you can feel for a tribe of monkeys in 15 minutes of snow, snow and more snow. The film is in color, mostly white. It took four years to film the seasonal cycle in its fullest. Here we have suffering not only by the subjects of the film but by the film maker as well. In spite of that, you'll enjoy it" PSA Journal, Nov. 1969, 57.
"Hong Kong. There have been films and films about Hong Kong, but this one tops them all. Jack Babkes of Brooklyn takes you on a 12.5 minute tour of one of the most interesting spots in the world. Naturally it's in entertaining color, very entertaining otherwise, too. You'll feel that "you-have-been-there" " PSA Journal, Nov. 1969, 57.
"The Legend of San San Ku was a practically unanimous choice as winner of the top award with its story of a Japanese legend. If the credits were to be removed from the beginning of this film, it would be hard to believe that it was not made in Japan. It was a very ambitious production for a crew of amateurs to undertake, and they came through with flying colors. Here's 20 minutes of Japan that is delightful to experience" PSA Journal, Oct. 1968, 48.
"Rice and Farmer depicts the life and toil of the Japanese who raise rice for a living. Ueda, who made the film, has a keen eye for composition. Few filmers today pause long enough to look for a pleasing view through the lens before pressing the trigger, but this is one of Ueda's strong points, and his film is a joy to see for this one aspect alone" PSA Journal, Aug. 1967, 37.
"Isle of the Gods is a visit to the Island of Bali and a closeup look at the people, their beliefs, their superstitions, and their way of life. Bali is changing. No longer is this a primitive isle, for the constant encroachment of civilization has made its mark here as well as elsewhere in the South Seas" PSA Journal, Aug. 1967, 37.
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