"A story of an orange grower's everyday life, of his unending battle with pests." American Cinematographer, Nov. 1940, 498.
"The construction of the POM (Pride of Montreal) Bakery in Montreal. Some commercial harvesting footage with baking at POM." (LAC description)
"The film was conceived of, directed, shot, edited, and hand-titled by Barstow. A staff volunteer, Barstow had recently graduated from Dartmouth College (class of 1941) when he accepted work on the farm with his wife, Meg. The “Newark Kid-Stars,” as they are credited in the film, helped to create the story and acted in the film, yet their names were never recorded." The Back Table, Archives and Special Collections at the New York University.
"Rice Harvest in Japan by James and Veda Linford, PSA members of Oakland, Calif. The Linfords have presented another pirze film to go along with their former winners. This 8-minute 16mm film was awarded a Ten Best Medal" PSA Journal, Nov. 1971, 41
"Rice and Farmer depicts the life and toil of the Japanese who raise rice for a living. Ueda, who made the film, has a keen eye for composition. Few filmers today pause long enough to look for a pleasing view through the lens before pressing the trigger, but this is one of Ueda's strong points, and his film is a joy to see for this one aspect alone" PSA Journal, Aug. 1967, 37.
"The Stones of Eden is a documentary on the modern day life of a common wheat farmer in Afghanistan. Today he ekes out his living about the same as he did 2000 years ago. We see him fasten the yoke to his oxen and till the hard dry soil with a primitive plow. Five times a day he stops to kneel in prayer, no matter where he is. We see the grinding of wheat and the baking of bread. At the village the farmer exchanges his wheat for a few necessities, then leaves the village, his only contact with the 20th Century, for his fortified walls of stone to keep out wild animals, human enemies, and other fears. The film won the MPD Student Film Award" PSA Journal, Sept. 1965, 50.
"This story of a loaf of bread begins with the plowing of the ground. It continues thru discing and harrowing. Then come fields of waving wheat; the harvest and the threshing; the journey to the grain elevator and the flour mills. Scenes in a modern bakery follow and from there the bread is sent to the retail store. Children eating bread and jam are representative of the 'ultimate consumer'." Educational Film Catalog, 1937 edition, 80.
"The Southwestern and Centerville Railroad boasts a roadbed of less than two miles and runs only on Saturdays — and then to "nowhere." But it undoubtedly provides the favorite ride of all the kids (as well as their equally enthusiastic parents) from the surrounding countryside. In The Fresh Milk Line, Roy Fulmer, jr., records the operation of this narrow gauge railroad on a dairy farm in New Jersey, run as a hobby by the owner of the farm. Closeups of the working of the Diesel engine, the switches and signals add technical interest; while the sequence of laying a new piece of track by presumably adult employees on the farm makes it apparent that the men enjoy "working on the railroad" as much as would any youngster. Here is one film whose interest would have been heightened by a musical accompaniment with sound effects." Movie Makers, Dec. 1951, 412.
"Documentary: On the life of rural rice farm families in Japan." National Archives.
"Eastman Kodak Company prize for the finest example of photography in any out-of-door picture whether it wins a cash prize or not was awarded to Tatsuichi Okamoto, Maysuyama, Japan, for 'Early Summer,' 1 reel. This is a different subject than the one which won him second prize." American Cinematographer, Jan. 1933, 25.
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